Earlier Work of Laura Kent Textiles

Laura Kent | Level Four and Five Textiles in Practice | Manchester School of Art

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Saturday, 23 February 2013

Construct Evaluation

I'm very sad to have finished my time in the textiles world of construct. The past eight weeks have been very enjoyable, and the amount of knowledge that I have gained is invaluable. During my time in construct, I feel as though the development of my work has been significantly increased. I have never been able to use the weaving/ knitting machines until this unit, so everyday has bought a new technique/ problem to learn from.

I spent the first three weeks of the term learning the techniques of weave. At first I found the set up of the warps to be difficult to come to terms with, however with help and a little time I found myself becoming more comfortable and confident with the terminology and techniques required for this. Once I had chosen my colour palette I became very excited and just wanted to start weaving straight away. The process seemed tedious to some, however I was intrigued watching the warp and weft record sheets turn into different patterns- I still think it is done by some sort of magic. Working with wool made the weave a little more fragile, I experienced a few panics due to the snapping of my warp, though as a positive I now know how to fix this if it ever happens again. It was also very interesting experimenting with the different yarns to give different textures and colour schemes to the overall weave. My favourite part of the weave is my attempt at weaving the same warp/weft plan in plain weave- achieving a very beautiful effect. I feel that I could've achieved a little more of my weave, missing a few days due to illness,  however I am very happy with the end result and wouldn't hesitate to try the process again.

 For the second half of the term I learnt the process of knitting on the domestic machines. I decided to change my colour palette for this part of the term as my sketchbook work took a different turn after a group tutorial. Again, learning the process and technical terms seemed overwhelming at first, but at my own pace and after reading into the subject a little more in my own term I now feel much more confident with the machine. My favourite technique to learn has been the hooking up process- this has been very helpful in the link between my sampling and sketchbook work. I feel that I was able to grasp the knitting process quite quickly- having said this there have been a few 'accidents' involving rather large holes introducing their way into my samples! In comparison to weave, the time it takes to create knitting samples is incredible. I don't have a preference between knit and weave- as both have come as very positive challenges.

For the sketchbook side of the term, I feel that I have grasped the concept of 'data' in the end. At first I had far too many ideas, I used the first few pages looking at solemnly mark-making, as this was something that I didn't do enough of during my journey project. As a result of this I began looking at the body much more thoroughly, basing my ideas on the restriction of the body, with corsets and body measurements being the data.

Overall I have definitely enjoyed the construct unit and feel that I have taken full advantage of the use of machinery, techniques and tutorial help. I am going to continue to research different yarn types, textures and uses, as well as looking at colour palettes and linking sampling to sketchbook work. I feel I have achieved a great amount in the past few weeks, all of which I am very grateful of, and shall be incorporating into my future portfolio work.



Tuesday, 19 February 2013

Knitting Samples Five

I am now into my last week of knitting,  I've been taught all of the techniques that I need to get on with my own series of samples now, that I will be able to relate to my overall data project. I am mostly looking at using the hooking up samples as a way to produce my own interpretations of corsets and the restriction that they cause. Hopefully later on in the week I will be able to combine the different techniques to produce some larger samples for mounting. 








Friday, 15 February 2013

Knitting Samples Four

For the last few days I have been experimenting with the technique of punchcards- using Fair Isle, Lace, and Tuck effects. It might seem silly, but I am absolutely fascinated by the fact that a hole-punch card, placed inside the knitting machine can produce these samples, mind blown! I absolutely love the pink Tuck sample and the texture it produces. This weekend I am going to continue to progress with my sketchbook work, looking at how I can combine my drawings, with my samples for my last week of knitting.







Tuesday, 12 February 2013

Knitting Samples Three

To quote my diary: "In the studio at 9.30am with Laura. Learnt some awesome techniques- really useful for my unit. Broke the machine 21064349 times from 10am- 4pm, however I really enjoyed myself" 

Today we've looked at the technique of 'hooking up stitches' . After thinking about what was said in our tutorial yesterday afternoon, I decided that I wanted to focus on the idea of distortion of women's bodies, and the garment, corsets. So learning this technique today came as a real advantage- the look of the samples will look fantastic alongside my sketchbook work . I have included examples of the technical front and back of these pieces, as I find that they are both influential to my work at the moment- the front showing the hooking up, like corset hooks, and the back creating a distorted effect.







Thursday, 7 February 2013

Museum of Science and Industry: Cotton

Today myself and flatmates used some of our free time to look around the Museum of Science and Industry- I've never been a massive fan of museums, however to my surprise, my flatmate explained that there was a section all about the cotton industry and industrial textiles in Manchester, and that that day there was going to be a presentation on the manufacturing of the cottons.

I was able to find out more about the different fibres and fabrics used at the time of the industrial textiles' movement in Manchester. As well as this, we were able to see ( and hear) the machines that were used in the warehouses, going through the process of the of collection cotton plants, making them into yarns, and the overall use of the hanks. 

This was no doubt inspiring, seeing as I have spent the past few weeks learning all of the modern processes that we now use to create weaves, hanks and the dying process, and how machinery has adapted for the benefit of the workers over the past centuries. 













Wednesday, 6 February 2013

Knitting Samples Two

In comparison to yesterday's disastrous workshop, today's knitting has been very enjoyable! I am feeling a lot more confident on the machine, and have produced some new samples for my technical file. We've been taught the idea of transferring stitches,  in both a lace hole, and ladder effect. It seems really difficult until you actually have a go, and even then, things go wrong, but successful sampling comes after a few attempts! I have already started to look at how these ideas can be incorporated into my sketchbook, and hopefully when I've learnt a few more techniques I'll be able to start experimenting a bit more with different yarns.  







Tuesday, 5 February 2013

Knitting Samples One

Today has been the first day of my three week block in knitting, and quite quickly I realised that knitting is a lot more complicated than I originally thought. Who wouldn't be frightened of a machine with SO MANY NEEDLES!? We have been taught the basics with Laura-  plain knit, colour and tension stripes. Even these seem difficult, so right now I am terrified about what the next three weeks may bring! With this said, I am looking forward to getting back on the machines tomorrow morning, and keeping my fingers crossed that I'll have a more positive session!






Sunday, 3 February 2013

Weaving Evaluation

I've now finished my three week block of weaving,  the photo below shows my overall piece. I have really enjoyed the past three weeks,  they have been quite a challenge seeing as I've never done any work like this before, so learning the new techniques and terminology has both excited, and terrified me! I feel that this course has helped to increase my knowledge in yarn types, colour palettes and fibres, something that really interests me. The only slight negative I felt was that the set-up process of the warp took a long time, so getting around to introducing the weft into the samples definitely came as a relief- however I would love to be able to continue with this in the future. I am now about to start my three week block in knitting, hoping to gain an equal amount of knowledge, whilst learning another exciting skill to add to my portfolio.